Since the 1990s, his practice consists in drawing from personal, political and cosmic history, to represent and critique images of perceived paradisiacal conditions. Focusing on extemporal drawings, he employs analog, digital and biological media.

Since the 1990s, his practice consists in drawing from personal, political and cosmic history, to represent and critique images of perceived paradisiacal conditions. Focusing on extemporal drawings, he employs analog, digital and biological media.